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8,221 notes

For all the women I have loved who were dragged through the mud

harbek:

platoapproved:

aiffe:

I’ve read a lot of great essays about how fandom is female-majority and creates a female gaze and a safe space for women and etc. But spend five minutes in fandom and you’ll have an unsettling question.

Why does a female-majority, feminist culture hate female characters so much?

It’s not a question of if it happens. You know it does. You can go into any fandom and see it. Some fandoms are worse than others, but it’s always there. Scroll down the Tumblr tag for any show, movie, book, comic, whatever, and you’ll see nothing but love for the men, and a lot of unjustified hate for the women, maybe with a few defenders here and there insisting on their love for the women in the face of all that hate.

To be clear, we’re not talking about female villains. Male villains get just as much hate. It’s fine if you hate Bellatrix Lestrange or Dolores Umbridge, you’re supposed to. (I personally stan for Bella, but I realize that wasn’t the authorial intent.) This is about people hating Hermione, Ginny and Luna, but loving Harry, Ron and Neville. This is about how ambiguous male antiheroes, like Snape, Zuko, or pretty much any male vampire protagonist can get away with walking that fine line between good and evil and not only remain sympathetic, but be even more beloved for how ~tortured~ he is, but when a female character is morally gray that bitch has to die.

So you can’t tell me it’s okay that you hate Sansa because you also hate Joffrey and he’s a dude. They’re not comparable. It isn’t even comparable if you pick a female antihero. Let’s do this apples to apples, here.

We all know that fandom does this. We all know that it’s fucked up and symptomatic of internalized sexism. What’s really fucking weird about it, though, is that the women doing this hating often aren’t ignorant. These are feminists. These are women who can go on meta-analyses of the writing. Some will hide behind pseudo-feminist reasons for their hate—oh, it’s the writing, we just aren’t given strong female characters! (I saw this used for the women of AtLA: Katara, Toph, Azula, et al. This was about when I just backed away slowly because I know a lost cause when I see it.) I’ve seen women who denied being sexist, but couldn’t name a single female character they liked. And it’s always that the female characters aren’t good enough, even when they obviously have a double standard, and they’re measuring women on an impossible scale full of contradictions and no-win binds, while the men are just embraced and loved pretty much for existing.

The reaction nearly every time one of these women is called out is not to say, “Huh, you may have a point, I should examine the way I judge and process women’s actions more closely,” but an insistence of their feminism, followed by a more detailed description of why that particular woman is terrible and she hates her, as if the whole point were not that fandom is already oversaturated with that kind of hate, and as if the person doing the calling out were not already 110% done with that bullshit.

Particularly telling is that male-dominated corners of fandom do not have this problem. They fetishize, they objectify, they ignore. They don’t hate like this.

We know it happens. What I want to know is WHY.

Theories follow below the cut.

Read More

This is long and wonderful and logical and important and you should all read every fucking word of it.

Why fandom hates female characters, and what we can do to make it better.

Read it. Really. It’s amazing. A bit close to home sometimes, but that’s a good thing, as many of these are things I’ve been guilty of and still work on.

(via eggs-ter-min-nate)

Filed under writing reading sexism female characters women in media fandom suuuuuuuch a good analysis

3,095 notes

dearace:

It’s okay to critically analyze your pop culture as if it were literature.

flutiebear:

BECAUSE IT IS.

Pop culture is culture. It IS literature. Every book you ever read for English class, every play and poem and short story, it once was new, and fresh, and contemporary.

Shakespeare was like the Whedon of his time (or the Kripke, or the Rowling, or the Moffat, whoever you like). People lined up to see his plays, they lost their everloving mind over his dirty jokes and innuendos, and yes, they even asked themselves, am I reading too much into this? Is all this really there?

And look, look, five hundred years later we still lose our everloving mind over these plays because pop culture is literature. It always has been and it always will be.

They teach you these skills of analysis and critique in school for a reason. Because they expect you to use them.

So go ahead. Pick apart your pop culture. Examine it from every angle. Dig through canon. Make theories. Read too much into things. It’s okay. You’re not just allowed to do this; you’re supposed to do it, because that’s the point of story: to engage, to inform, to inspire. It’s why we invented it in the first place.

Filed under sociology critical thinking writing reading

239,320 notes

s-guy:

gunslingerannie:

jillstrif:

This is the coolest thing I’ve ever reblogged. I think about this all the time.
Nobody can even comprehend this fact. There are 7 billion people on the Earth. You can’t comprehend an afterlife because it seems too crazy? Well I can’t comprehend this current life and nobody’s going to tell me it doesn’t exist.
Think about it.

YES YES I WAS TRYING TO REMEMBER THIS THE OTHER DAY because I have this all the time, especially when I travel by train which is one of the reasons why I DO travel by train a lot.

I’M REALLY GLAD THAT THERE’S A WORD FOR THIS WOW

s-guy:

gunslingerannie:

jillstrif:

This is the coolest thing I’ve ever reblogged. I think about this all the time.

Nobody can even comprehend this fact. There are 7 billion people on the Earth. You can’t comprehend an afterlife because it seems too crazy? Well I can’t comprehend this current life and nobody’s going to tell me it doesn’t exist.

Think about it.

YES YES I WAS TRYING TO REMEMBER THIS THE OTHER DAY because I have this all the time, especially when I travel by train which is one of the reasons why I DO travel by train a lot.

I’M REALLY GLAD THAT THERE’S A WORD FOR THIS WOW

(Source: eroma-rap, via eggs-ter-min-nate)

Filed under writing reading words beauty in words society humanity

124 notes

In Wetham’s diagnosis, then, children were too underdeveloped to separate the outlandish fantasy in their comic books from everyday reality, and this made them vulnerable to barely concealed homosexual and antisocial content.

I tend to believe the reverse is true: that it’s adults who have the most trouble separating fact from fiction. A child knows that real crabs on the beach do not sing or talk like the cartoon crabs in THE LITTLE MERMAID. A child can accept all kinds of weird-looking creatures and bizarre occurrences in a story because the child understands that stories have different rules that allow for pretty much anything to happen.

Adults, on the other hand, struggle desperately with fiction, demanding constantly that it conform to the rules of everyday life. Adults foolishly demand to know HOW Superman can possibly fly, or HOW Batman can possibly run a multibillion-dollar business empire during the day and fight crime at night, when the answer is obvious even to the smallest child: because it’s not real.

—Grant Morrison, Supergods.

(via wilcoxfoxtrot)

(via sociolab)

Filed under sociology writing reading reality fantasy childhood